Artist Clare Leighton: Apple Butter (BPL 523), Top Potential

Artist Clare Leighton (1898-1989): Apple Butter (BPL 523), Top Potential

Hover over the painting to magnify (there may be an initial delay while the magnified image is loaded)

Clare Leighton (1898-1989):
Apple Butter (BPL 523), Top Potential
Framed (ref: 6013)
Original woodblock (cancelled)


7.5 x 5.3 in. (19 x 13.4 cm)

See all works by Clare Leighton plate woodblock farms/domestic animals women work



Provenance: The Artist's Estate

Literature: Llewellyn, Sacha, et al. Women Only Works on Paper. Liss Llewellyn, 2021, p. 65.

The original woodblocks Hog Killing and Apple Butter were produced for Clare Leighton’s iconic book Southern Harvest (published in New York, 1942, byThe Macmillan Company). Southern Harvest comprised over 35 vignettes depicting, amongst other subjects picking cotton, shucking corn, boiling sorghum and harvesting tobacco – all part of the rich agricultural heritage of America’s South. It was amongst her most important achievements, providing a unique and poignant record of rural life of the period. Leighton would often take an entire week to produce a wood engraving, the formative ideas worked up in a pencil sketch, (see overleaf) which would then be drawn directly on to a naked block covered in Chinese white. The design was then painstakingly carved with tools strong enough to incise into the end grain of the block, which was typically made of boxwood, sufficiently hard to allow for a number of prints to be made before any loss of sharpness. ‘Fortunately the boxwood block, unlike the copper plate, will yield an almost indefinite number of perfect prints’, Clare Leighton wrote in her book Wood-Engraving and Woodcuts in 1932. From each block a limited edition of 50 numbered and signed wood engravings were produced. For the publication, a lithographic process was used.

Apple Butter was originally printed in an edition of 50 as part of Southern Harvest (New York, The Macmillan & Co.). 1942.